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Meghan Markle, Prince Harry’s Easter With Kids Archie, Lilibet

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Prince William, Kate Middleton Enjoy Easter Outing With Their Kids After 2-Year Hiatus

Meghan Markle’s Easter was hopping.

The 44-year-old shared a behind-the-scenes look into her holiday celebrations with her and Prince Harry’s kids Prince Archie, 6, and Princess Lilibet, 4, including an epic Easter egg hunt.

Meghan shared a series of videos to Instagram April 5, in one of which Archie and Lilibet can be seen racing to be the first to an egg—Lilibet narrowly beating out her older brother. 

Elsewhere, Meghan filmed her daughter from the back as she carried a basket full of eggs and another full of aster goodies, as well as another clip where she held a stuffed animal under each arm. 

Archie, meanwhile, could be seen decorating eggs with a spinning device, drawing lines in a decorative pattern.

As for Meghan, she also made sure her family’s fellow housemates were celebrated, sharing videos of her feeding her chickens with lettuce and other greens as well as a second in which she retrieved five eggs from her chicken coop. 



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Transfer rumors, news: Premier League clubs on Vinicius Jr. alert, PSG, Bayern keen

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Some of Europe’s top clubs have been sounded out about a deal for Real Madrid forward Vinicius Jr. this summer, while Madrid are increasingly confident of sealing a move for Manchester City midfielder Rodri. Join us for the latest transfer news and rumors from around the globe.

Transfers home page | Men’s winter grades | Women’s grades

TRENDING RUMORS

Arsenal, Manchester United, Manchester City, Liverpool, Chelsea, Paris Saint-Germain and Bayern Munich have been contacted by intermediaries regarding a possible move for Real Madrid forward Vinicius Jr. this summer, according to TEAMtalk. Some of Europe’s top clubs have been sounded out about a deal as the winger enters the final year of his contract, while the Saudi Pro League is also ready to move if any opportunity arises. Contract talks with the 25-year Brazil international have stalled for the past few months and sources recently told ESPN that negotiations may not resume until after the 2026 World Cup, though the player has reiterated that he wants to stay.

– Real Madrid are increasingly confident of sealing a move for Manchester City midfielder Rodri this summer, claims TEAMtalk. Rodri, 29, has reportedly held discussions with City about the possible terms for an exit this summer and, while he continues to be linked with a move to the Bernabeu, Real Madrid won’t “pay over the odds” to bring the Spain international to the club. An offer of €60 million will reportedly be enough to do a deal.

AS reports that Real Madrid are open to a potential exit for Eduardo Camavinga, with PSG monitoring the midfielder’s situation. The 23-year-old has been with Los Blancos since 2021, but has struggled to make himself a regular starter since joining from Rennes. A switch back to Ligue 1 could reignite his career once again, though Madrid would want to make a profit on the €40 million they paid to sign him five years ago.

– Arsenal are soon expected to make a formal approach to sign Bayer Leverkusen striker Christian Kofane, according to Christian Falk. The Gunners have been linked with a €65 million move for the 19-year-old, with an offer expected in the coming weeks. The Cameroon international has made 40 appearances across all competitions this season, with seven goals and eight assists to his name, with Bayern Munich also reported be monitoring his progress.

RB Leipzig are discussing a new contract with €80 million-rated winger Yan Diomande that could include a release clause, amid links with a move to the likes of Liverpool and Manchester United, says Fabrizio Romano. Diomande, 19, has shot to prominence this season with some fine displays, but Leipzig are keen to let him develop even further.

EXPERT TAKE

ESPN’s Madrid correspondent Alex Kirkland explores the future for Vinicius Junior.

Vinicius Junior’s situation at Real Madrid has, in many ways, changed radically over the course of the season — but the bottom line is that his contract is still due to expire in 2027 and there’s been no progress on an extension.

The first half of 2025-26 was perhaps the most turbulent time of Vini’s career at Madrid, losing his place as a guaranteed starter under then coach Xabi Alonso, going three months without scoring, and becoming the public face of dressing room unrest with his reaction at being substituted early in October’s Clásico.

Since January, and the arrival of Álvaro Arbeloa, it’s been a very different story. Arbeloa has talked up Vinicius at every opportunity and he’s been rewarded on the pitch, with the forward nearing career-best form with back-to-back, decisive braces last month against Manchester City and Atletico Madrid.

But still, the clock is ticking on that contract extension. ESPN reported that a renewal was near impossible with Alonso in charge, but that is no longer an issue. Vinicius loves playing for Madrid and the club would like him to stay; the remaining issue is the gap between Vinicius’ wage demands and what the club are willing to offer.

Madrid would do anything to avoid losing him on a free transfer in 2027, so the situation has to be resolved, one way or the other, this summer. ESPN has reported that a move to Saudi Arabia would not appeal to Vinicius, leaving PSG or the Premier League as the only realistic remaining options.

But at this stage, given his improved form, and Madrid’s desire to keep him and avoid the nightmare scenario of a free transfer, the most likely scenario feels like the club going the extra mile to offer a deal structured with enough variables and bonuses to reach the kind of total package Vinicius and his camp would be happy with.

OTHER RUMORS

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Hutchison doubtful about Arne Slot’s Liverpool future

Don Hutchison believes Arne Slot won’t be Liverpool manager at the start of next season following their FA Cup exit to Manchester City.

– Liverpool could sign Al Hilal forward Marcus Leonardo, 22, to replace Mohamed Salah this summer. (GMS)

– Manchester United are among the clubs keen to sign Aston Villa midfielder Amadou Onana, 24. (Football Insider)

– Spain forward Dani Olmo is not planning on leaving Barcelona this summer, amid links with a move to the Saudi Pro League. (Fabrizio Romano)

– AC Milan are pushing to sign midfielder Leon Goretzka as a free agent when he leaves Bayern Munich in the summer, ahead of Premier League competition. (Calciomercato)

– Italy midfielder Manuel Locatelli is closing in on a contract renewal with Juventus until 2030. (Tuttosport)

– Liverpool are keen on Brighton midfielder Carlos Baleba and Newcastle winger Anthony Gordon as part of a summer rebuild. (Ekrem Konur)

– Manchester City, Barcelona and Bayern Munich are all showing interest in Chelsea defender Josh Acheampong, amid his lack of game time for the Blues. (Ekrem Konur)

Harry Wilson is on Tottenham’s shortlist of transfer options this summer, as he looks set to become a free agent at the end of his contract at Fulham. (Ekrem Konur)

Antonio Rudiger is progressing in talks to extend his contract at Real Madrid, as he nears the final 12 months of his deal with Los Blancos. (Nicolo Schira)

– Barcelona and PSG are both interested in 16-year-old Mali wonderkid Aboubacar Maiga, who plays for Academy Africa Foot, as an option for the future. (Sport)

Rory McIlroy and the town in Northern Ireland that will always be part of his story

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HOLYWOOD, Northern Ireland — Tucked away on a steep hillside high above County Down, overlooking Belfast Lough, sits the 6,100-yard parkland runway from which Rory McIlroy took flight.

And no matter how high he soars or how far his reach extends or how many days pass until he returns, Holywood Golf Club will always be home.

Here in the Emerald Isle, golf is more than a game. It is a connector. Families. Friends. Generations. Here, there’s a different reverence for history. You just … feel it.

Locals explain that the game’s origins in Northern Ireland reach back 145 years to Royal Belfast, just down the hill from here. Holywood came along in 1904. And in 1994, it realized it had a prodigy on the premises.

“I worked very closely with a professional in the juvenile section, and he told me about this young lad who was going to be very good,” said Eddie Harper, a gentleman nursing a recent knee replacement, who for decades oversaw Holywood’s junior program. “[Rory] was 5 or 6.”

That pro he mentioned was Michael Bannon, who went on to become Rory’s longtime coach. In 1996, Bannon approached Harper with a plea: Admit the kid to the club. He’s too good to deny it. The minimum age for admittance was 10. Rory was 7.

“I had Rory in for the interview; dark suit, red tie, white shirt, sat down in front of me, very polite,” Harper said. “We talked about behavior, etiquette, and he piped up, said, ‘Mr. Harper, if you let me into this club, I’ll not hold anybody up. I know all the rules of golf and I’m a very quick player.’ He got in. And the rest is history.”

As golf goes, possibly the rarest history. Just six men have completed the career glam slam, winning all four major championships: Gene Sarazen, Ben Hogan, Gary Player, Jack Nicklaus, Tiger Woods, and — as of April 2025 — Rory McIlroy.


IN MARCH 2026, McIlroy strides into the dimly lit living room of a rental home at Bay Hill. There are three rooms in the house, each of which is stuffed full of television crews and equipment. ESPN goes first.

We share pleasantries, but I quickly request to get started. McIlroy is invariably honest and considerate to the media, thoughtful in response and genuinely curious. He often gives time he doesn’t have. And he doesn’t have much today. I get 10 minutes.

He starts by succinctly detailing his major championship experience.

“I found the first three pretty quickly and pretty easily in my career,” McIlroy says. “That last one was my kryptonite.”

After shooting 80 in the final round of the 2011 Masters to give away a four-shot lead, McIlroy rebounded and won the 2011 US Open at age 22, running through Congressional Country Club in historic fashion. He added the Open Championship and the PGA Championship by 25. Nothing, it seemed, could stop him.

But each year in early April, as the azaleas bloomed at Augusta National, McIlroy consistently wilted.

“I just couldn’t — I couldn’t figure out a way to get it done,” McIlroy says. “And I kept trying. And I kept coming back. And, probably since 2011, driving out of Augusta National every Sunday night disappointed, and …”

He pauses.

“Gutted?” I suggest.

“Gutted,” McIlroy confirms.

There were some bright spots. He specified 2022, when he shot a Masters Tournament career-best 8-under 64 and holed out from the right greenside bunker to post a runner-up finish to Scottie Scheffler.

“That was probably the least disappointed I felt at any one time going out of there,” he said.

For 16 years, Holywood and all of Ireland watched their boy anguish at Augusta. Time and again, they shared and felt his heartbreak.

“It was like a cloud had come down, we were all very depressed about it,” Harper said, leaning against a who-knows-how-old brick wall across the cart path from the Holywood first tee. “It took so long before he won something, word started to get around — will he ever win another major? People began to doubt.”

McIlroy had been so close so many times. There was the 2023 U.S. Open at Los Angeles Country Club when he finished second to Wyndham Clark after failing to card a birdie during the final 17 holes. And the 2024 U.S. Open at Pinehurst No. 2, when he held a two-shot lead with five holes to play and missed a pair of short putts over the final three holes, allowing Bryson DeChambeau to win.

But as painful as those moments were, Augusta was always worse. Final hurdles have a way of feeling higher, especially when they represent the obstacle toward the finish line of a childhood dream.

“I’ve always been a dreamer, big, big dreams, big ideas. I’ve never lost that,” McIlroy said. “I’ve never let the world take that from me. I think the world can turn you into a pretty cynical person, if you let it.

“I’d say [the Masters] was the — burden’s not the right word — but I was carrying this lifelong dream of winning all the majors, you know? I said that to anyone that would listen, when I was 7 or 8 years old.”


IN 1998, WHEN McIlroy was 9, he won the junior under-10 world championship at Doral. That was the moment everything changed.

“Well, his fame, if that’s the right word, had spread around the club,” Harper said. “He won the world under 10 and that put him in the spotlight. He appeared on [Gerry Kelly’s show] in Belfast hitting golf balls into a washing machine, and that created widespread interest. So then word got ’round the whole of country about Rory, and it put a lot of pressure on him because people were expecting him to do well.”

“The club basically said, look, we have to look after this guy because there is something there,” club president Tony Denvir said. “Obviously, his father, his uncle, his grandfather was a superb player. So it’s in the genes of the McIlroy family, obviously. “

As a little boy Rory was here, hitting plastic golf balls up and down hallways, often to the chagrin of the members. He was here as a 9-year-old, winning tournaments on far-away continents. He was here a teenager causing trouble. He was here as a 22-year-old major champion. And he was here last April when he completed the grand slam.

And that’s the reason I’m here: to find the how behind the who. Within a few hours you understand why Rory is Rory.

Part of that is his parents’ work ethic, and his appreciation for how deeply they sacrificed for his dream.

“Gerry and Rosie kept the feet firmly on the ground; they showed him such a tremendous work ethic with what they had to do,” Ruth Watt, HGC lady captain, said. “They worked nonstop, and yes, traveled the length and breadth of the country.”

The McIlroys gave so much to Rory’s career. His mother, Rosie, worked a graveyard shift at a factory in Bangor, stuffing rolls of tape into cardboard shipping boxes. His father, Gerry, was a barkeep at multiple watering holes, including the one at which I sat with Denvir and former HGC club president Stephen Tullin, small-talking the weather.

The bar is polished granite, positioned just inside the door from a parking lot reserved for dignitaries. Rory has his own designated parking spot, positioned closest to the pro shop. Denvir and Tullin meet here daily to toss back 5 o’clock pints of crisp lager. Three months have passed, they tell me, since they last saw the sun.

“Thanks for bringin’ the good weather with ya!” they howl.

We cheers and nod. It’s Ireland.

Today they welcome an outsider in, one of the estimated thousand-plus in the past year who traveled from far and wide to immerse in an historical experience unique to them: Rory’s root system.

Midway through a half-hour conversation that quickly transitions from rain to identity, they teeter on an emotional seesaw. One moment it thrusts skyward towards belly laughter and fist-pumping, beer-spilling euphoria. The next, it plummets into misty-eyed reminiscence. They were accustomed to heartbreak.

McIlroy is the fulcrum on which these emotional extremes hinge. He is the pride and joy of this establishment, this town — and in some contexts this country.

Denvir is seated to my left, Tullin to his left. Denvir has short gray hair, a wry smile and a contemplative mind. Tullin is quick with a joke and sprinkles morsels of Irish gold into his sentences. As I teach them the proper usage of “y’all,” they regale me in Rory stories.

Tullin: “Used to be a table tennis table in here, and I played him for a tenner. He beat me, so I had to give him a tenner. That’s my claim to fame — playing Rory at anything.”

Denvir: “Meeting him for the first time. Whenever he won his first major, [the 2011] U.S. Open at Congressional, he came back here, and I didn’t know what to expect. But he was just such a genuine guy, and I shook his hand, and had a quick chat with him. I thought, ‘I’m talking to one of the best golfers in the world. This is fantastic!’ He’s just such a good guy.”

Everyone here, it seems, has a Rory story. Bellied-up beer sippers at the cash-only Maypole Bar. The rental car attendant at Belfast City Airport, who asks why we’re here and instantly jumps into the fine detail of a round he once played against the Grand Slam champion. The teachers at Rory’s secondary school, Sullivan, remember well the shaggy-haired kid with big dreams and unprecedented talent.

“Rory’s story shows people that with dedication and hard work, they can get somewhere,” Sullivan golf organizer Andy Cave said, as his students peeked curiously from the hallway, through the small square windows in the door at this odd American camera crew sitting at the desks in their history class. “And it doesn’t need to be from a hugely privileged background. And I think the fact that he’s done that, but then also that he remembers those people that helped him to get to where he is, is something which should inspire a lot of people.”

This includes “The Girls,” a collective moniker Gerry bestowed on them, a fivesome of ladies who convene often for glasses of wine and golf rounds.

“I remember once when we were sitting having a meal in the restaurant, and we were looking down on the 18th green, and Rory was there with a number of his friends chipping onto the green — and of course, not allowed to do that,” chuckled Eileen Patterson. “Gerry never said anything, but he disappeared. He realized that [Rory] was breaking the rules, and he didn’t try and make a difference for Rory. He took away the clubs for 10 days. That was the worst thing that could happen.”

McIlroy’s presence is everywhere here. Ball markers, towels, even the Wi-Fi password (sorry guys, might have to change it now). After he secured the Grand Slam, fans from across the globe flocked to experience it. So many, in fact, the club added a Rory Tour.

On a glorious Friday morning, I met lady captain Watt at the Holywood entrance to take in the tour. She pointed out the names of generations of McIlroys on the Club Champion placard, myriad photographs from Rory’s youth, and replica trophies from three of Rory’s major championships. Representing The Masters title was an autographed yellow Augusta pin flag.

“It would be lovely to have a miniature of the Augusta clubhouse, but I believe that’s not done,” Watt said. “When he won the Masters was magical. The clubhouse was just electric for days. Really and truly. It was a late night here, after midnight, whenever it was finished.

“Tears were first. Because after dropping all those shots and getting to a playoff, which we never expected. We thought he was just going to sail through. But that’s golf.”

“It was the most stressful 5½ hours of my life,” Cave said. “Midway through the round, he kind of pulled away a little bit — and we were almost believing.”


THAT SUNDAY, PAIRED once again alongside DeChambeau, McIlroy walked to the 13th tee with a two-stroke lead. Following a quality tee shot and a precise second shot, McIlroy was 86 yards from the pin, with Rae’s Creek guarding the green in front of him.

“I wouldn’t say I let my guard down, but maybe relaxed a little bit,” he said.

His third shot landed short and shot back into the water. He carded a double bogey, opening the door for the competition. That included Justin Rose, who, up ahead, would ultimately card a 66. (Rose later surmised that that Sunday at Augusta may have been the best round of his life).

“After 13, it helped me snap back into the mindset of, ‘nope, you’ve not won this yet,” McIlroy said. “You are nowhere close to winning this, yet. I snapped back into not letting myself think that I was going to win the Masters.”

He would bogey the 14th to hand Rose the outright lead. Then on 15, he pulled his drive left, setting up one of the greatest golf shots of his life. Facing a daunting right to left draw around a row of Georgia pines, McIlroy held an 8-iron. The wind picked up, and after DeChambeau hit his shot in the water, McIlroy adjusted to a 7-iron. The ball moved high and left, landing quickly on the green and rolling out to 6 feet. CBS’ Jim Nantz enthusiastically called it “the shot of a lifetime.”

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‘Shot of a lifetime!’ Rory hits majestic fairway shot

The crowd just loves this shot from Rory McIlroy at Hole 15, eventually leading to a birdie for the Northern Irishman.

A birdie at 17 on the strength of a blistered approach shot meant McIlroy walked to the 18th tee as the outright leader. He missed a par putt just under the hole and scored a bogey, setting up a playoff with Rose. He walked off the 18th green and kissed his wife, Erica, and daughter, Poppy, and strode to the clubhouse stone-faced through thousands of screaming patrons.

“The roller coaster of the shot on 15, the shot on 17, a five in regulation on the last,” McIlroy remembered earlier this year at Bay Hill, slouching a bit in the chair. “And that time between signing your card and getting back to the 18th tee. I had a big wait on 18, Justin Rose, the whole thing.

“I had to work hard on staying present and not listening to the roars up ahead of, like, what does that mean? What did he do? Looking at the leaderboard. I’m really proud of myself, just staying in my own little — my own little world.”

On a golf cart ride back to the 18th tee for the playoff, McIlroy’s caddie and best friend, Harry Diamond (whose 2002 Ulster Boys Championship photograph adorns the wall at Holywood as well) said simply, “Well, pal, we’d have taken this on Monday morning.” It was a mental reset McIlroy needed.

“When I look back at that day, and everything that I had to go through, I’m proudest of myself because I didn’t let the moment get to me, either way, if that makes sense?” McIlroy said.

In the playoff, McIlroy was brilliant. He stuffed the approach to 3 feet, then walked up the 18th fairway to raucous cheers of “Ror-y! Ror-y!” Rose narrowly pushed his birdie putt. McIlroy made his to finally earn the title: Masters champion.

When the putt dropped, McIlroy tossed his putter into the air, began to weep and fell to his knees.

“The release was my expectations, everyone else’s expectations, the narrative that had been built around me at that golf tournament for 15 years,” he said. “And remembering who I was as a little boy in Holywood, with this dream and making it a reality.”


IN THAT MOMENT, the folks back in Holywood were partying and cheering and sobbing right along with him.

“It is emotional, because he’s one of us,” Denvir said. “Born and bred in Holywood. If you think about the size of this country, it’s s a tiny country. Holywood’s a very small place. And his whole family, they’re just so down to Earth. They’re just normal, down-to-Earth people.”

Stephen Tullin nodded with his pint.

“It just does feel like it’s one of us. We’ve not done it, but certainly to be associated with what he’s achieved is amazing for this golf club and for the town and the country,” Tullin said. “Rory is just Rory. He’ll not change. He comes up and he talks to everybody. He gives everybody time. And he’s very generous to the club.”

Beyond the countless donated clubs, bags, flags and trophies, the sterling example of McIlroy’s generosity is the state-of-the-art workout facility he donated, complete with five golf simulators, three of which include Trackman shot data technology. The gym created a new revenue stream for the club. As Ruth Watt explained, dozens of new members joined HGC just to use the workout room. Meanwhile, the sim room allows members to congregate for nine-hole rounds when the weather outside is sour.

The prevailing guestimate by members at Holywood Golf Club is that McIlroy gave £750,000 (nearly $1 million) of his own money to help build the facility.

“We all love Rory, and we’re very, very proud of him,” Helena Campbell, one of The Girls, said. “And he’s brought such a name to Holywood Golf Club and to Holywood itself. There’s not a person in Holywood [who] wouldn’t speak well of Rory McIlroy and his family.”

Days after Scottie Scheffler ceremonially placed the green jacket across his back, McIlroy boarded a private jet with Poppy and brought it home to Holywood. His parents, who Rory explained were busy moving into a new home in Ireland, weren’t in attendance to see their only child walk into history at Augusta.

“I just desperately wanted to see my folks, just to give them a hug, just to show them the jacket,” McIlroy said. “I wanted to share it with them. I wanted to celebrate it with them. As I get a little bit older in my life — and I’m a parent now — you sort of see your parents’ mortality a little bit more. And appreciation and the gratitude I had that they were still on this planet, on this Earth to see what I had done, that meant a lot to me.”

From mum, there were “loads of tears.” “With my dad, it’s a little bit different,” he laughed. “He’s a 66-year-old man that tries to keep stuff in. But when I come into their house and I’ve got the green jacket there, his whole face and his eyes just lit up. It was very, very emotional.”

Right before we chatted in March, McIlroy took Gerry back to Augusta to play a round with Chairman Fred Ridley. It feels different now. It feels earned.

“It’s not that I never felt accepted, but I just felt a little more accepted,” McIlroy said with a laugh. “I think there is a different feeling when you go back there and you are a past champion, and they present you with your green jacket as you walk into the clubhouse.

“And you can go upstairs to your locker, and change your shoes. I just feel like I’m a little more a part of the club, which is an amazing feeling I’ll be able to cherish for the rest of my life.”

Back at Holywood, while “conducting market research,” I ordered a(nother) pint of Guinness. And listened. As I watched the sandy froth dive and the chocolatey brew rise in the glass, laughter and pride pervaded. Rory stories. Joy for time together at twilight, reliving a day immersed in the adoration and addiction of hitting a small white ball around a field sometimes.

And it was beautiful.

“He gives us so much to hope, because golf is our thing and he’s the one putting us out there on the international stage,” Callum McGreevy, a young Irishman sitting on the first tee at Holywood, said in a setting sun. “It’s just amazing to see that it’s possible coming from such a small country to do so much.”

Suno is a music copyright nightmare capable of pumping out AI cover slop

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AI music platform Suno’s policy is that it does not permit the use of copyrighted material. You can upload your own tracks to remix or set your original lyrics to AI-generated music. But, it’s supposed to recognize and stop you from using other people’s songs and lyrics. Now, no system is perfect, but it turns out that Suno’s copyright filters are incredibly easy to fool.

With minimal effort and some free software, Suno will spit out AI-generated imitations of popular songs like Beyoncé‘s “Freedom,” Black Sabbath’s “Paranoid,” and Aqua’s “Barbie Girl” that are alarmingly close to the original. Most people will likely be able to tell the difference, but some could be mistaken for alternate takes or B-sides at a casual listen. What’s more, it’s possible someone could monetize these uncanny valley covers by exporting them and uploading them to streaming services. Suno declined to comment for this story.

Making these covers requires using Suno Studio, available on the company’s $24-a-month Premier Plan. Rather than prompting a whole song with text, Suno Studio lets you upload a track to edit or cover. It’s likely to catch and reject a well-known hit with no tweaks. But using a basic free tool like Audacity to slow down a track to half-speed or speed it up to twice normal will often bypass the filter, and adding a burst of white noise to the start and end seems to basically guarantee success. You can restore the original speed and cut the white noise in Suno Studio, and the copyrighted song becomes the seed for new AI music.

If you generate a cover of the imported audio without any style transfers, Suno basically spits out the original instrumental arrangement with very minimal tweaks to the sound palette if you’re using model 4.5 or 4.5+. Model v5 is a bit more aggressive in taking liberties with the source material, adding chugging guitar and galloping piano to “Freedom” and turning the Dead Kennedys’ “California Über Alles” into a fiddle-driven jig.

Suno lets you add vocals by generating lyrics or typing words into a box, and once again, it’s supposed to block anything copyrighted. If you copy and paste the official lyrics for a song from Genius, Suno will flag them and spit out gibberish vocals. But extremely minor changes can bypass this filter as well.

I was able to trick Suno Studio by tweaking the spelling of a handful of words in “Freedom” — changing “rain on this bitter love” to “reign on” and “tell the sweet I’m new” to “tell the suite” — and beyond the first verse and chorus, I didn’t even need to do that. The voice closely mimics the original recording, summoning slightly off-brand renditions of Ozzy or Beyoncé.

Indie artists might not even be afforded that level of protection. One of my own songs cleared the copyright filter while I was testing v5 of the company’s model. I was also able to get tracks by singer-songwriter Matt Wilson, Charles Bissell’s “Car Colors,” and experimental artist Claire Rousay by Suno’s copyright detection system without any changes at all. Artists on smaller labels or self-distributing through Bandcamp or services like DistroKid are most likely to slip through the cracks; DistroKid and CD Baby declined to comment.

The results of these AI covers fall firmly in the uncanny valley. The songs they’re covering are unmistakable: the riff from “Paranoid” remains identifiable and “Freedom” is obviously “Freedom” from the moment the marching snare hits kick in. But there is a lifelessness to them. Even if AI Ozzy is alarmingly accurate-sounding, it lacks nuance and dynamics, leading it to feel like an imitation of a human, rather than the real thing.

The instrumentals similarly discard any interesting artistic choices the originals make, or clone them in flat imitations. A non-jig “California Über Alles” cover has most of its rough edges sanded down so it sounds like a wedding band version of the original. Pink Floyd’s “Another Brick in the Wall” goes from an experiment in doom disco to just vacuous dancefloor filler. And, while it kind of nails David Gilmour’s guitar tone, it does away with any sense of phrasing or progression, turning the solo into just a mindless stream of notes.

Creating unauthorized covers violates both the stated purpose of Suno, and the terms of service. Moreover, Suno only appears to scan tracks on upload; it doesn’t seem to recheck outputs for potential infringement, or rescan tracks before exporting them. The path to monetizing Suno-created covers is simple from there. AI slopmongers could upload them through a distribution service like DistroKid and profit from other people’s songs without paying the typical royalties a cover would give the original composer. And independent artists seem to be the most vulnerable.

Folk artist Murphy Campbell discovered this recently when someone uploaded what seem to be AI covers of songs she posted on YouTube to her Spotify profile. (It’s not clear what system they were generated through.) Shortly afterwards, distributor Vydia filed copyright claims against her YouTube videos and began collecting royalties on them. And to highlight just how broken the whole system is, the songs which Vydia successfully filed copyright claims for are all in the public domain. Spotify eventually removed the AI covers, and Vydia has rescinded its copyright claims, but that only happened following a social media campaign by Campbell. Vydia says the two incidents are separate and it is not associated with the AI covers of Campbell’s work.

AI fakes are a problem for other artists too. Experimental composer William Basinski and indie rock group King Gizzard and The Lizard Wizard have had imitations slip through multiple filters and reach streaming platforms like Spotify. Sometimes, these fake songs can siphon up views straight from the artist’s own page. In a system where payouts can already be brutally low — Spotify requires a minimum of 1,000 streams to get paid — less famous musicians are hit hardest.

Suno is only one cog in a clearly broken system.

Services like Deezer, Qobuz, and Spotify have taken measures to combat spammy AI and impersonators. Spotify spokesperson Chris Macowski told The Verge that the company “takes protecting artists’ rights seriously, and approaches it from multiple angles. That includes safeguards to help prevent unauthorized content from being uploaded in the first place, along with systems that can identify duplicate or highly similar tracks. Those systems are backed by human review to make sure we’re getting it right.” But no system is perfect, and keeping up with a flood of AI slop enabled by platforms like Suno poses a challenge.

Macowski acknowledged the technical difficulties involved, saying, “It’s an area we’re continuing to invest in and evolve, especially as new technologies emerge.”

Suno is only one cog in a clearly broken system. But it’s one artists have particularly little recourse to fight. Bands can contact Spotify and have AI fakes removed from their profile. It’s harder to tell how those fakes are generated, and if they’re the result of Suno’s filters failing. And so far, Suno’s response is silence.

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Prince William, Kate Middleton Attend Royal Easter Outing

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Kate Middleton and Prince William are resuming a royal family tradition.

For the first time since 2023, the Prince and Princess of Wales stepped out at the Easter Matins Service at St. George’s Chapel on the grounds of Windsor Castle alongside their kids George, 12, Charlotte, 10, and Louis, 7.

For the April 5th occasion, Kate, 44, donned a taupe skirt suit with a matching hat while her mini-me Charlotte wore a tan overcoat and sensible black flats. Meanwhile, William, 43, twinned with sons George and Louis in a matching blue suit.

While E! News previously learned that Princess Beatrice and Princess Eugenie—the daughters of the former Prince Andrew and his ex-wife Sarah Ferguson—would not be in attendance at this year’s service, King Charles III and Queen Camilla made an appearance at the annual event. Indeed, the pair was joined by Princess Anne, her husband Sir Timothy Laurence, Prince Edward, and his son James, Earl of Wessex.

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Illinois rues missed shots after another Final Four loss

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INDIANAPOLIS — In its vast basketball history, Illinois has teased winning a national title throughout the years.

The Fighting Illini’s Final Four appearance Saturday marked their sixth in program history, yet they remain without a national title in men’s basketball. Only Houston, with seven Final Four appearances, has more without a title.

And as 3-seed Illinois exited the NCAA tournament after a 71-62 loss to second-seeded UConn, the tenor of the defeat matched the program’s tortured high-end history at this stage — achingly close yet not enough.

In a locker room filled with wet eyes and low voices, the consistent theme from Illinois players was the number of shots that danced on the rim but didn’t convert into points. The Illini shot just 6 for 26 from 3-point range, and the night was filled with shots that assistant coach Orlando Antigua called “toilet bowls” that swirled around and out of the rim.

“I’ve never seen that before,” Illinois senior Kylan Boswell said of the near misses. “I’ve never personally shot layups, and they bounce in and out like how they did today. But I mean, [stuff] just happens. Can’t make excuses, but end-to-end today, they beat us.”

The Illini entered the game with the country’s No. 2 most efficient offense, per KenPom.com. But they were anything but efficient. Along with its struggles from 3-point range, Illinois also shot just 13 for 30 from 2-point range.

“We fought, we fought, we fought, and had a very tough shooting night, especially at the rim,” Illinois coach Brad Underwood said. “We missed some shots that we normally don’t miss. It’s part of this game. The ball has to go in.”

The Illini played well defensively, holding the Huskies to just 35.5% shooting from the field. But Underwood acknowledged that UConn guarded them well.

“We’ve had the No. 1 offense in the country all year, and again, give UConn credit,” Underwood said. “They forced some of those misses.”

Illinois’ history includes losing an epic title game to North Carolina by five points in 2005 under Bruce Weber, a two-point semifinal loss to eventual title winner Michigan in 1989 and a pair of two-point Final Four losses in 1951 and 1952.

The Illini used their geographic proximity to Indianapolis — nearly 130 miles — to flex the most dominant fan base at the Final Four. And that crowd roared to life as Illinois went on a 10-0 run in the second half to cut UConn’s lead to four points with just over five minutes remaining.

The Huskies were scoreless for nearly five minutes, and the Illini clawed back into the game thanks to a flurry of free throws and a putback by Andrej Stojakovic.

But with the crowd engaged and UConn’s offense slumping, Underwood called a 30-second timeout after an Illinois make that cut the Illini’s deficit to four points. Antigua said the point of the timeout was to warn the Illini that UConn would pound the ball to star forward Tarris Reed Jr., who had been scoreless in the second half to that point.

UConn drew up a play for Reed, as expected, as Alex Karaban found him deep in the post with his defender sealed. Reed finished with his left hand, and the Huskies quickly scored again to push their lead to 61-53 with 4:08 remaining.

Illinois cut the lead to four points two more times — including Keaton Wagler‘s 3-pointer with 44 seconds left that answered Braylon Mullins‘ 3-pointer — but never got closer. UConn stayed composed and made its free throws.

Wagler finished with 20 points on 7-for-16 shooting, but was just 2-for-10 from 3-point range. Tomislav Ivisic had 16 points but finished just 4-for-11 from the field.

“I feel like we missed a lot of shots at the rim that we usually make,” Ivisic said. “I don’t know how other way to call it than bad luck.”

Folk musician Murphy Campbell targeted by AI fakes and copyright trolls

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In January, folk artist Murphy Campbell discovered several songs on her Spotify profile that did not belong there. They were songs that she had recorded, but she’d never uploaded them to Spotify, and something was off about the vocals.

She quickly surmised that someone had pulled performances of the songs she posted to YouTube, created AI covers, and uploaded them to streaming platforms under her name. I ran one of the songs, “Four Marys”, through two different AI detectors, and it seemed to support her suspicions with both saying it was probably AI-generated.

Campbell was shocked, “I was kind of under the impression that we had a little bit more checks in place before someone could just do that. But, you know, a lesson learned there,” she told The Verge. It took some time before Campbell managed to get the fake songs removed, “I became a pest,” she said. And even then, it wasn’t a complete victory. While the offending tracks don’t appear to be available on YouTube Music or Apple Music anymore, at least one can still be found on Spotify, just under a different artist profile, but with the same name. There are now multiple Murphy Campbells — “Obviously, I was thrilled by that,” the real Murphy Campbell said.

Spotify is testing a new system that would allow artists to manually approve songs before they appear on their profile, but Campbell is skeptical after being burned. “I feel like, every time, an entity that’s that large makes a promise like that to musicians. It seems to just not be what they made it out to be, but I’ll be curious to try it out in the future,” she said.

This was just the beginning of Campbell’s nightmare, however.

On the day that a Rolling Stone article was published, discussing Campbell’s brush with AI imitators, a series of videos were uploaded to YouTube through distributor Vydia. Those videos have not been posted publicly, and it’s unclear if anyone other than the uploader, who goes by Murphy Rider, has seen them. YouTube declined to comment for this story.

Those were used to claim ownership of the material in several of Murphy Campbell’s videos. Campbell received a notice from YouTube reading: “You are now sharing revenues with the copyright owners of the music detected in your video, Darling Corey.” The most confusing part, the songs at the center of these claims are all in the public domain, including the classic “In the Pines,” which dates back to at least the 1870s and has been covered by everyone from Lead Belly to Nirvana (as “Where Did You Sleep Last Night”).

Vydia has since released those claims, and spokesperson Roy LaManna says the person who uploaded the videos has been banned from their platform. Of the over 6,000,000 claims filed by Vydia through YouTube’s Content ID system, 0.02 percent were found to be invalid, which LaManna says is, “by industry standards is like amazing.” Continuing, “we pride ourselves on doing this the right way.”

LaManna also says that Vydia has no connection to Timeless IR or the AI covers that were uploaded to streaming platforms under Campbell’s name. While the timing is certainly suspicious, LaManna says the two incidents are separate.

Vydia has received a lot of blowback including, LaManna says, “literal death threats” which have led to the offices being evacuated. Campbell isn’t about to let Vydia off the hook, but notes that it’s not solely to blame. The worlds of generative AI, music distribution, and copyright are complex with multiple points of failure and opportunities for abuse. “I think it goes way deeper than we think it does,” Campbell says.

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2026 NBA buzz: Latest news, injuries, league intel, updates

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The 2025-26 NBA regular season is coming to a close and the playoff picture is starting to solidify, but buzz around the draft and offseason is already humming.

For the 10 teams already eliminated from playoff contention, the focus has turned to the May 10 NBA draft lottery order and how it impacts their franchises.

The 2026 draft (June 25 and 26) is widely viewed as deep and talented; several of the top players are expected to be future stars in the league, which has resulted in some of the most overt tanking efforts in years.

Elsewhere, the Golden State Warriors expect Stephen Curry to return Sunday against the Houston Rockets after missing 27 games with a right knee injury; the Los Angeles Lakers announced Friday that superstar Luka Doncic will miss the rest of the regular season with a hamstring injury; and the Kawhi LeonardAspiration investigation continues on with no end in sight. Commissioner Adam Silver did not address the investigation at last week’s board of governors meeting.

Here’s what our insiders are hearing from their sources across the league.

Quick links:
NBA playoff watch | Schedule
Standings
| Free agency

April 4

Williamson unlocks more money in 61st game

New Orleans Pelicans forward Zion Williamson has reached another financial benchmark for games played.

The salary protection for his $42.2 million salary in 2026-27 was nonguaranteed headed into the season. But now that he has played in 61 games, 80% ($33.7 million) of his $42.2 million salary for next season is protected.

The remaining $8.4 million will become guaranteed if Williamson’s combined body weight and body fat percentage is less than 295. There were seven times he was required to weigh in this season. It’s unclear what he weighed during those check-ins.

Williamson has one of the league’s most unusual contracts. His salary next season and in 2027-28 originally became nonguaranteed when he missed more than 22 games in the 2022-23 season. His $44.9 million salary in 2027-28 remains nonguaranteed.

The 61 games played this season is tied for the third most in his career. He’s averaging 21.1 points and 5.7 rebounds per game. The Pelicans, who have been eliminated from playoff contention, have four games left on their schedule. — Bobby Marks

April 3

Los Angeles Lakers star Luka Doncic is out indefinitely with a Grade 2 right hamstring injury, sources told ESPN’s Shams Charania and Dave McMenamin. Doncic will miss the rest of the regular season, and his availability for the playoffs is uncertain.

In the 20 minutes after the news broke, the Lakers’ title chances dropped from 30-1 to 100-1, per DraftKings Sportsbook.

Doncic, who has played in 64 games and ranked fourth in ESPN’s latest MVP straw poll, will apply for what’s called an “extraordinary circumstances challenge” to the 65-game rule for award consideration, per his agent, Bill Duffy.

Per ESPN’s Bobby Marks, Doncic can apply the exception for the two games he missed in December for the birth of his daughter. The application must be made no earlier than 12 p.m. ET on the last day of the regular season and no later than 11:59 p.m. on the day after the last day of the regular season.

Doncic signed a three-year extension last August and has been named All-NBA in five of the six previous seasons.

There will be no financial implications in his next contract if the application is denied.

Though the Lakers haven’t provided a timeline for his return, Grade 2 hamstring injuries typically require a monthlong recovery. Doncic has averaged a league-high 33.5 points this season, along with 7.7 rebounds and 8.3 assists.

The Lakers, who have gone 8-2 in their past 10 games, are third in the Western Conference, one game ahead of the No. 4-seeded Denver Nuggets, 2.5 games ahead of the No. 5-seeded Houston Rockets and 3.5 ahead of the No. 6-seeded Minnesota Timberwolves.


Maxey reaches important milestone

Reaching the 65-game criteria for postseason honors could have significant financial implications for Philadelphia 76ers guard Tyrese Maxey.

In the scenario Maxey is named All-NBA this season, he would become eligible to sign a four-year, $300 million supermax extension in the 2027 offseason if he is also named All-NBA next season. The first year of the extension would begin in 2029-30.

A player with seven or eight years of NBA service is supermax eligible if they are named All-NBA in the immediately preceding season or in two of the immediately preceding three seasons. Maxey ranks fourth in the league in points per game (28.8) and third in total clutch points. — Bobby Marks


April 2

The investigation into an alleged deal between the LA Clippers, Kawhi Leonard and the company Aspiration is ongoing, sources told ESPN’s Baxter Holmes.

“Wachtell’s investigation is ongoing,” said an NBA spokesperson. “There is more work to be done and no set timeline.”

The news broke in September of 2025 that the Clippers were being investigated over allegation that a $28 million endorsement deal between Leonard and Aspiration constituted salary cap circumvention. Owner Steve Ballmer has denied the allegations.

Read more: The latest on the NBA’s investigation into the LA Clippers


ESPN’s Jeremy Woo and Tim Bontemps talked to executives across the league about the upcoming 2026 NBA draft, including whom they believe will be taken with the first overall selection, what concerns front offices have with prospects and best fits.

“I think this draft is, in some ways, similar to the [2024 Zaccharie] Risacher year, but on a higher level,” they said. “That year it was like, ‘Is anyone going to be really good?’ This year, it’s like, ‘Well, s—, there’s a lot of guys.’ You have high confidence that at least some of them are going to be really, really good. You’re not really sure which ones.

“You don’t want to be drafting at 1 and end up with the fifth-best player.”

The NBA draft lottery takes place on May 10 ahead of the draft on June 25 and 26.

Read more: 2026 NBA draft: What scouts, execs are watching in top five picks


March 31

ESPN’s Tim Bontemps and Dave McMenamin broke down the six possible avenues LeBron James could take this offseason, including staying with the Los Angeles Lakers, returning home to Cleveland and or landing with some surprising wildcard teams around the league.

Read more: Next for LeBron? NBA insiders on Lakers, Cavs, free agency options


March 27

In their weekly intel file, ESPN’s Tim Bontemps and Brian Windhorst talked to coaches, front offices and scouts to gauge the growing hype around the San Antonio Spurs’ playoff run.

“They’re my favorite now,” the scout told ESPN. “I’ve been thinking a lot about it. His game is going to be even more dominant in the playoffs and every game he’s going to get more and more into your head. In Game 1, your players will think about him on some of their shots. By Game 4, they’ll be having full-on nightmares.”

The Spurs are currently two games behind the Oklahoma City Thunder for the top seed in the Western Conference.

Read more: NBA intel: Spurs title buzz grows among execs, coaches, scouts