Raymond James has initiated coverage of the stock, giving it an Outperform rating alongside a price target of $115 after a new investment. Please, Visit our Website Homapageand Facebook page.
American Electric Power Strengthens Dividend Potential with New Investment Deal
A series of large electrical transmission towers providing power to the public.
American Electric Power Company, Inc. (NASDAQ:AEP) is one of the largest electric utility companies in the U.S., serving more than 5 million customers in 11 states. Headquartered in Ohio, the company utilizes multiple energy sources, including coal, natural gas, wind, solar, nuclear, and hydro, to generate and transmit electricity to its customers.
On June 5, 2025, the company finalized a partnership with KKR and PSP Investments. Jointly, these companies acquired a 19.9% equity interest in American Electric Power Company, Inc. (NASDAQ:AEP)’s Ohio and Indiana Michigan transmission companies for $2.82 billion. With this investment, the company aims to meet over 20 gigawatts of new power demand expected by 2030 across its footprint. American Electric Power Company, Inc. (NASDAQ:AEP) will maintain operational control.
A few days after this transmission investment, on June 13, 2025, Raymond James initiated coverage of American Electric Power Company, Inc. (NASDAQ:AEP), assigning the stock an Outperform rating and a $115 price target, thereby enhancing the company’s positive outlook.
On June 17, 2025, the company announced Rob Berntsen as the new EVP and General Counsel, effective July 14, 2025. The stock rating is yet to absorb this change in leadership.
American Electric Power Company, Inc. (NASDAQ:AEP) offers a dividend yield of 3.61%, potentially funded by its earnings as expressed with a payout ratio of 69.88%. Sixteen years of consecutive dividend growth signal a strong financial stability.
While we acknowledge the potential of AEP as an investment, we believe certain AI stocks offer greater upside potential and carry less downside risk. If you’re looking for an extremely undervalued AI stock that also stands to benefit significantly from Trump-era tariffs and the onshoring trend, see our free report on the best short-term AI stock.
And because methane is invisible and odorless, it can be difficult and expensive to monitor it and prevent it from getting out. As a result, researchers and environmental activists say the industry is likely releasing far more than official government estimates show.
Methane also seeps out from coal mines—more methane, actually, than is released during the production of natural gas, which after all is mostly methane. Ember, a clean-energy think tank, put together this great visual interactive showing how this happens.
The short version is that methane is embedded in coal deposits, and as miners dig to expose coal seams, the gas escapes, and continues to do so long after a coal mine reaches the end of its operating life. Since coal miners are focused on extracting coal, they don’t often keep track of how much methane they’re letting out, nor do regulators pay much attention.
According to Ember, methane emissions from coal mines could be 60 percent higher than official tallies. Abandoned coal mines are especially noxious, emitting more than abandoned oil and gas wells. Added up, methane emitted from coal mines around the world each year has the same warming effect on the climate as the total annual carbon dioxide emissions of India.
Alarmed by the gaps in the data, some nonprofits have taken it upon themselves to try to get a better picture of methane emissions at a global scale using ground-based sensors, aerial monitors, and even satellites. In 2024, the Environmental Defense Fund launched MethaneSAT, which carries instruments that can measure methane output from small, discrete sources over a wide area.
Ritesh Gautam, the lead scientist for MethaneSAT, explained that the project revealed some major overlooked methane emitters. Since launching, MethaneSAT has found that in the US, the bulk of methane emissions doesn’t just come from a few big oil and gas drilling sites, but from many small wells that emit less than 100 kilograms per hour.
“Marginal wells only produce 6 to 7 percent of [oil and gas] in the US, but they disproportionately account for almost 50 percent of the US oil and gas production-related emissions,” Gautam said. “These facilities only produce less than 15 barrels of oil equivalent per day, but then there are more than half a million of these just scattered around the US.”
There Are Ways to Stop Methane Emissions, but We’re Not Using Them
The good news is that many of the tools for containing methane from the energy industry are already available. “Around 70 percent of methane emissions from the fossil fuel sector could be avoided with existing technologies, often at a low cost,” according to the IEA methane report.
For the oil and gas industry, that could mean something as simple as using better fittings in pipelines to limit leaks and installing methane capture systems. And since methane is a fuel, the sale of the saved methane can offset the cost of upgrading hardware. Letting it go into the atmosphere is a waste of money and a contributor to warming.
OMG !! Bellingham loving ‘amazing’ Alonso ideas for Real Madrid
Alex Kirkland
Rodrigo Faez
Jun 22, 2025, 06:36 PM ET
CHARLOTTE, North Carolina — Jude Bellingham praised Xabi Alonso’s “amazing ideas” after Real Madrid overcame an early red card to beat Pachuca 3-1 in the Club World Cup on Sunday, while confirming that he’ll undergo shoulder surgery when the tournament is over.
The win was Alonso’s first since taking over at Madrid before the Club World Cup after his team drew 1-1 with Al Hilal in its opener.
Madrid defender Raúl Asencio was sent off in the 7th minute at Bank of America Stadium for fouling Pachuca forward Salomón Rondón.
Ten-man Madrid soon responded with goals from Jude Bellingham and Arda Güler, before Federico Valverde added a third, and Elias Montiel responded for Pachuca with the only shot that got past Thibaut Courtois, who made 10 saves
“It was tough after Asencio was sent off,” Bellingham said in his post-match news conference, after being chosen as the game’s MVP. “He’s a young defender, it happens, there’s no harm in that. It was a test of our character, and a test of our leadership.
“The manager [Alonso] decided to change shape, and we all took that responsibility well. We had to weather the storm, [Pachuca] had a lot of shots. Thibaut was fantastic. It’s a good win, still not perfect, but the coaches’ ideas are amazing, and we want to keep going.”
Courtois was more critical of Asencio, who also gave away a penalty in Madrid’s opening game against Al Hilal.
“Two games, and the same mistake,” Courtois said. “We have to be more intelligent.”
Midfielder Bellingham — who has struggled with a shoulder injury since November 2023, wearing protective strapping — confirmed that he’ll undergo surgery when Madrid’s participation in the tournament is over.
“It’s alright now, I’ve got to the point where the pain isn’t so bad,” Bellingham said. “I’ve got surgery scheduled for a few days after the tournament, after the final. I’m happy about that.
“It’s been a long time coming. I’ve come to the end of my patience with the brace. The doctors and staff have been great, but I’m at the point now where I’m ready to have a free shoulder.”
The result leaves Madrid on four points in Group H, and in a strong position to progress to the round of 16 ahead of Thursday’s game with Salzburg.
Moments before the final whistle in Charlotte, referee Ramon Abatti signalled that FIFA’s anti-racism protocol had been initiated after a clash between Madrid defender Antonio Rüdiger and Pachuca’s Gustavo Cabral.
“The FIFA protocol was activated. We’ll find out what happened,” Alonso said in his post-match news conference. “Rudiger said [that he’d been insulted] and we believe him. There’s no tolerance for it, it shouldn’t happen.
“[FIFA] are investigating it.”
Speaking in the mixed zone, Cabral denied having used racist language.
“There was nothing racist. I called him ‘chickens–t’ as we say in Argentina, that’s it,” he said.
Pachuca coach Jaime Lozano said he was unaware of the accusation.
“I’ve just found out now,” Lozano said. “We haven’t spoken about it. What I can say is that we’ve never had anything like that with Cabral.” Please, visit our Homapageand Facebook Page for get latest news update
More than 20,000 people are now known to have been killed in the earthquake that hit Turkey and Syria, making it one of the deadliest disasters in a decade.
At least four people have been killed in an overnight Russian missile and drone attack on Ukraine’s capital Kyiv, the interior minister says.
In a post on social media, Ihor Klymenko says residential areas, hospitals and sports infrastructure were hit.
“An entire section of a residential high-rise building was destroyed” in the worst-hit Shevchenkivskyi district, he says, adding that some people are trapped under the rubble.
In the Kyiv region, a woman was killed and another two people injured in the Russian aerial attack, regional head Mykola Kalashnyk says.
The Russian military has not commented on the issue.
Ukraine’s emergencies service DSNS says 13 people – including two children and a pregnant woman – were injured in Kyiv.
It has posted footage showing shocked residents being led away from a destroyed high-rise building which was still burning.
A number of blazes are reported across the capital.
An entrance to one of the city’s underground metro stations was damaged in the Russian attack, local officials say.
Many residents of Kyiv spent the night sheltering in such stations.
In recent weeks, Russia has been carrying out massive aerial attacks on Kyiv and other Ukrainian cities.
Russian President Vladimir Putin launched a full-scale invasion of Ukraine in February 2022.
The strait, located between Iran and Oman, remains a critical oil choke point, and closing it could have serious implications for both the global and U.S. economy.
Secretary of State Marco Rubio, in several Sunday interviews, warned against shutting down the strait, calling the move “suicidal” for the regime. Rubio also called on China — Iran’s most crucial oil customer — to encourage the country against shutting it down.
“I encourage the Chinese government in Beijing to call them about that, because they heavily depend on the Straits of Hormuz for their oil,” Rubio said on Fox News’s “Sunday Morning Futures with Maria Bartiromo.”
Iran’s Supreme National Security Council will ultimately decide on the move.
The threat to block the narrow waterway comes in response to U.S. strikes on three nuclear sites in Natanz, Isfahan and Fordow, the last of which is located inside a mountain. The Trump administration has argued the strikes, dubbed Operation Midnight Hammer, were a monumental success. But it is unclear how much the sites were damaged or how much the attack set back Iran’s nuclear program.
The Strait of Hormuz’s width and depth allow it to handle the world’s largest crude oil tankers, and very few alternatives exist if it is closed, according to the U.S. Energy Information Administration (EIA). Approximately 20 million barrels, or 20 percent of global consumption, flowed through the strait in 2024.
More than 80 percent of the crude oil and natural gas that passed through the Strait of Hormuz in 2024 was destined for Asian markets, with China, India, Japan and South Korea being the top recipients. These countries would likely be the most affected by any closure.
But the U.S. market would also feel some impact if the strait were disrupted. The U.S. has been buying less oil from the Persian Gulf — importing about 532,000 barrels per day in 2024, according to the EIA. Still, consumers are businesses are still likely to see increased prices, given that oil is traded globally. And it could take months for U.S. oil companies to drill more to compensate for those increased prices, The New York Times reports.
Oil prices in the past month increased due to the escalating Israel-Iran conflict, and these are estimated to climb further if Iran blocks the strait. Experts have said they estimate oil prices could increase from $73 per barrel up to $120 per barrel if tankers are blocked.
“If we see any throttling back of the Strait of Hormuz, we’ll see a massive increase in the price of oil, and that will impact everything in the U.S.,” Ramanan Krishnamoorti, a professor of petroleum engineering at the University of Houston, told ABC News this month.
Iran has previously seized or interfered with tankers during heightened political tensions, according to the Times.
While Iran’s Supreme National Security Council has yet to make a decision, some experts are skeptical that the country will actually close down the Strait of Hormuz. Experts say the move would likely lead to a near-immediate response from the U.S., and it would be self-defeating to Iran’s own market. So, Strait of Hormuz becomes flash point in US-Iran conflict
The company amended its Credit Agreement with Wells Fargo Bank on June 12, 2025. With the interest rates and certain fees reduced, the maturity date has been postponed to June 12, 2030.
Diamondback Energy Extends Credit Agreement and Raises Dividend After Acquisition
A pipeline worker overseeing the flow of crude oil into storage tanks from an integrated water system.
Diamondback Energy, Inc. (NASDAQ:FANG) is a Texas-based independent oil and natural gas company, engaged in the business of hydrocarbon exploration. The focus of the company is on acquiring, developing, exploring, and exploiting unconventional, onshore oil and natural gas reserves, primarily in the Permian Basin in West Texas.
With a market cap of $43.55 billion, Diamondback Energy, Inc. (NASDAQ:FANG) has announced an extension to its credit agreement on Thursday. The company’s existing credit facility had a maturity date of June 2, 2028. By successfully amending its credit terms with its lenders, the company has managed to extend the maturity date to June 12, 2030. The company’s subsidiary, Viper Energy, saw its board approve a 10% increase in base dividends after a $4.1 billion all-stock acquisition of Sitio Royalties Corp.
Following these developments, Wells Fargo reiterated their Buy rating for the stock on June 16, 2025, with a price target of $208.
Diamondback Energy, Inc. (NASDAQ:FANG) offers a dividend yield of 3.51%, with a payout ratio of 38.62%, signaling a self-sufficiency in meeting the dividend obligations. The company has had a consistent dividend payment record since 2018.
While we acknowledge the potential of FANG as an investment, we believe certain AI stocks offer greater upside potential and carry less downside risk. If you’re looking for an extremely undervalued AI stock that also stands to benefit significantly from Trump-era tariffs and the onshoring trend, see our free report on the best short-term AI stock.
Streaming services are known for having award-worthy series but also plenty of duds. Our guide to the best TV shows on Netflix is updated weekly to help you know which series you should move to the top of your queue. They aren’t all surefire winners—we love a good less-than-obvious gem—but they’re all worth your time, trust us.
Feel like you’ve already watched everything on this list that you want to see? Try our guide to the best movies on Netflix for more options. And if you’ve already completed Netflix and are in need of a new challenge, check out our picks for the best shows on Hulu and the best shows on Disney+. Don’t like our picks or want to offer suggestions of your own? Head to the comments below.
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The Survivors
Years ago, Kieran Elliott (Charlie Vickers) survived a storm that trapped him in a sea cave, but his brother Finn and friend Toby died in the rescue attempt. Fifteen years later, he returns to his hometown with his partner Mia (Yerin Ha) and their baby Audrey for a memorial, finding that everyone from neighbors to his own mother still blame him for the tragedy. While those deaths still haunt the small town community, they may also have obscured another tragedy—teenager Gabby Birch went missing the same night. Now, out-of-town investigator Bronte (Shannon Berry), the only person who still cared about the long-cold case, has wound up dead herself, and everyone in Kieran’s life seems to be connected. Adapted from the novel by Jane Harper, this Australian murder mystery from Glitch creator Tony Ayres is a darkly compelling miniseries.
Glitch
To those in the northern hemisphere, this Australian supernatural drama might be one of the best-kept secrets of the past decade. Centered on a small town in Victoria, an entire community is shaken when seven people rise from their graves, seemingly in perfect health but with no memory of who they are or how they died. As police sergeant James Hayes (Patrick Brammall) and local doctor Elishia McKellar (Genevieve O’Reilly) try to contain and examine “The Risen,” Hayes’ world is rocked when he learns his own late wife Kate is among them. Over the course of three seasons and 18 episodes, the reasons for the dead’s return is teased out, starting with simply “how” and “why” but building up to something that questions the rules of reality. A fantastic ensemble cast and brilliant pacing make this a must-see.
Dept. Q
Edinburgh police detective Carl Morck (The Crown‘s Matthew Goode) used to be one of the best—until his arrogance got his partner paralyzed and a uniformed officer killed, and saw him narrowly survive a bullet through his own neck. After returning to work following a lengthy period of mandatory leave, Morck finds himself heading up the new Department Q—an underfunded, under-staffed operation in the precinct’s dank basement, dedicated to solving the iciest of cold cases. Gathering a team of misfits, including Rose (Leah Byrne), eager to please but recovering from a breakdown, Akram (Alexej Manvelov), a Syrian refugee, and Morck’s still-bedbound partner James (Jamie Sives), the department has a lot to prove—but solving the disappearance of Merritt Linguard (Chloe Pirrie) might be a good start. Based on the novels by Danish author Jussi Adler-Olsen, Dept. Q is a brilliant blend of Scandi noir and gritty British crime drama.
Sirens
First The White Lotus, then The Perfect Couple, and now Sirens—Meghann Fahy is making a career out of starring in shows where we get to see awfully rich people doing awfully bad things to each other. Here, she plays down-on-her-luck Devon, drawn into the luxurious world her sister Simone (Milly Alcock, imminently Supergirl) inhabits by proxy, working as an assistant to billionaire’s wife Michaela (Julianne Moore). It’s never clear how willingly Simone got involved with the charismatic Michaela, who may be a mentor or cult leader or something else entirely, nor how overprotective or paranoid Devon is, but the hook of this glossy, dark comedy is in finding out.
The Eternaut
Juan Salvo (Ricardo Darín) was settling in for a card game with his friends. Then the snow started falling—unusual enough for Buenos Aires in the summer, and downright terrifying when everyone touched by the freak weather event drops dead. But as Salvo desperately tries to find his daughter and ex-wife among the few survivors, an even deeper horror emerges. Adapted from a beloved Argentinian comic book by Héctor Germán Oesterheld and Francisco Solano López, The Eternaut offers a unique piece of postapocalyptic drama, focusing on grounded, authentic characters before spinning off into wilder sci-fi directions.
Blood of Zeus
This adult animated take on Greek mythology returns for its third and final season, bringing the odyssey of demigod Heron—son of Zeus and mortal woman Electra—to a brutal conclusion. After years of manipulation, power plays, and betrayals, the season picks up with the Olympian gods and their Titan predecessors lined up against each other, the fate of the world hanging on the outcome of the ultimate family feud. Heron and his estranged brother Seraphim may be the only ones able to bring peace—so it’s rather inconvenient that Heron is dead. From start to finish, Blood of Zeus has impressed with smart writing that offers compelling twists on the classic myths, all brought to life with top-tier animation and phenomenal voice acting, and it doesn’t disappoint as it reaches its finale. One of Netflix’s best animated series.
You
Based on the novels of Caroline Kepnes, You is an often deeply disturbing series. During the first season, bookstore manager Joe Goldberg (Penn Badgley) falls in deranged-love-at-first-sight with aspiring author Guinevere Beck (Elizabeth Lail). In subsequent ones, he relocates to Los Angeles, where heiress Love Quinn (Victoria Pedretti) became the focus of his attention, and then to London, where he poses as an unassuming university professor before meeting his match in Kate Galvin (Charlotte Ritchie). At each turn, the globe-hopping saga of murderous obsession has become more and more unsettling. In the fifth and final season, Joe returns to New York with his new wife, Kate, but the darkness and brutality that’s followed him around the world is never far behind. Often shocking, You is a gripping thriller that hits the same sinister sweet spot as early (read: good) seasons of Dexter.
The Four Seasons
Three couples—lovebirds Kate and Jack (Tina Fey and Will Forte), glamorous Danny and Claude (Colman Domingo and Marco Calvani), and fraying Nick and Anne (Steve Carrell and Kerri Kenney-Silver)—have known each other since college, maintaining their decades-long friendship with a series of regular vacations together. But when Nick finally splits with Anne—who was about to surprise him with a vow renewal—the group’s dynamic completely changes. It sounds like the premise for a depressing drama, but The Four Seasons is instead a surprisingly life-affirming comedy, bolstered by fantastic performances across-the-board. A loose adaptation of the 1981 movie of the same name, this eight-episode miniseries—cocreated by Fey—sometimes takes things in more farcical, physical comedy directions, but maintains a charming sense of warmth and humanity throughout.
Black Mirror
Black Mirror returns with six new episodes that continue to explore humanity’s complicated relationship with technology. Although the new, seventh season includes a couple of rare sequels to previous Black Mirror episodes, the anthology format means every episode remains accessible. That means you can jump right in with the heartbreaking “Eulogy,” where Paul Giamatti’s Phillip dives through his own fractured memories of a lost lover. Or you can start with the sinister “Plaything,” in which a gaming journalist gets murderously obsessed with a strange life-sim game, partly inspired by series creator Charlie Brooker’s own background. (In a very meta twist, you can play the game for real.) Whether you’re a longtime fan or this is your first encounter with poignant tech dystopias, all of Black Mirror awaits your viewing.
North of North
Young Inuk woman Siaja (Anna Lambe, True Detective: Night Country) married straight out of high school, then spent years trapped in the shadow of her shallow, selfish husband, Ting—the golden boy of their small town of Ice Cove, nestled far in the Arctic Circle. A brush with death—and possibly the goddess Nuliajuk—gives her the push to make a fresh start, but an explosive breakup in a community of only 2,000 people means Siaja’s personal life is now everyone’s business. Netflix’s first Canadian original series, this sharp sitcom is packed with warmth and humor, while its on-location shooting in Iqaluit (the real-life capital of the Arctic Canadian territory of Nunavut) delivers breathtaking natural beauty along with the laughs.
Devil May Cry
Building on the success of Castlevania, Netflix’s take on Capcom’s Devil May Cry series continues the streamer’s strong track record of animated video game adaptations. For those who’ve never picked up a controller, the series follows half-demon devil hunter Dante, a stylish slayer with a penchant for slicing up hell’s worst offenders. This eight-episode spectacular sees Dante (voiced by Johnny Yong Bosch) clashing with the horrific White Rabbit (Hoon Lee), a twisted monster aiming to tear down the barrier between Earth and hell. Animation fans will also appreciate one of the final performances from the venerable, sadly-passed Kevin Conroy as the villainous US Vice President Baines. Devil May Cry may be unashamedly in love with its own early 2000s origins—as evidenced by a soundtrack filled with songs from the likes of Limp Bizkit and Papa Roach—but this slickly animated action masterpiece is a hellishly good time.
The Residence
The latest outing from Shondaland, this satisfyingly twisty whodunnit finds Orange Is the New Black’s Uzo Aduba in unassailable top form as Cordelia Cupp, a brilliant but quirky detective—and bird-watcher, which proves important—called in when White House chief usher AB Wynter (Giancarlo Esposito) is found dead on-site midway through a state dinner with Australian dignitaries. While aides are keen to write it off as suicide, Cupp isn’t convinced—which means locking everyone (including the actual Kylie Minogue) in while she investigates. It’s all brilliantly shot, with the White House itself a pivotal character (at times becoming a doll house diorama where each room continues to play out their own tableaux), but it’s the phenomenal cast that makes this dark comedy top viewing.
Adolescence
A quiet English town. 6 am. Police raid the house of Jamie Miller on suspicion of murdering an innocent girl. Jamie is 13 years old. A shocking mini-series, this isn’t a whodunit, but a whydunit. Its four episodes—each masterfully shot in a single real-time take—explore how boys are radicalized online to hate women, and the horrifying effects it has. The powerhouse cast includes cocreator and writer Stephen Graham (Bodies, A Thousand Blows) as Jamie’s father Eddie, Ashley Walters (Bulletproof) as Detective Boscombe, the arresting officer and investigator of Jamie’s crime, and Erin Doherty (The Crown) as the psychologist evaluating Jamie. Each brings this incredibly difficult material to life, but it’s newcomer Owen Cooper as Jamie who most astounds, turning from petrified to cheeky to vitriolic in a terrifying heartbeat. Adolescence is harrowing but important viewing.
Toxic Town
Based on the real-world Corby toxic waste case, this four-part drama follows the decades-long battle for justice faced by the former steelworking English town, after widespread industrial pollution led to multiple children being born with physical disabilities. Centered largely on the lives of mothers Susan McIntyre (former Doctor Who star Jodie Whittaker), Tracey Taylor (Aimee Lou Wood), and Maggie Mahon (Claudia Jessie), Toxic Town fiercely explores how far the community had to go for justice and how low the people responsible would stoop to avoid culpability. A searing, powerful, heart-wrenching drama that will—and should—leave you absolutely furious at corporate greed.
Pantheon
Originally an AMC+ show, both seasons of Pantheon are now available on Netflix. Good timing too, since its nightmarish scenario of digitally uploaded human consciousnesses and exploration of the impact such technology would have on society feels worryingly prescient. With plot threads weaving between isolated Maddie Kim, whose dead father may have been reborn as an “Uploaded Intelligence,” Caspian Keyes, a genius teenager whose entire life is a Truman Show–style lie, and Vinod Chanda, an engineer investigating UI, this hard sci-fi outing—based on the short fiction of Ken Liu—offers a dark examination of virtual immortality. A uniquely brilliant adult animated series.
Zero Day
Cards on the table: A significant part of the appeal here is seeing the iconic Robert De Niro in his first major English-language TV role (he previously appeared in the Argentinian Nada, aka Nothing). He doesn’t disappoint with his performance as former US president George Mullen—pulled out of retirement to oversee a commission investigating a colossal cyberattack that left thousands of Americans dead and the terrifying warning that “this will happen again”—commanding the screen with his trademark gravitas. Director Lesli Linka Glatter wrings great drama from the whodunit of it all (Russians? hackers? hedge fund bros?), but with Mullen handed unprecedented powers to track down the culprits, the real nail-biting moments come from its suddenly timely explorations of abuses of power. With a powerhouse cast that includes Angela Bassett, Lizzy Caplan, and Jesse Plemons, Zero Day is an engaging political thriller, and at six episodes it makes for a great binge-watch.
Apple Cider Vinegar
Influencers have been known to hawk nonsense diets and spurious “wellness” regimens, but few have ever done it like Belle Gibson, the real-life Australian influencer who went as far as faking brain cancer for attention. And while she hailed alternative diets and whole foods for keeping her nonexistent illness at bay—launching an app and cookbook in the process—actual cancer sufferers paid the price for her extreme narcissism and greed. This dramatized limited series—“a true-ish story … based on a lie,” as Netflix puts it—makes for uncomfortably gripping viewing as it charts the rise and fall of Gibson (Kaitlyn Dever, with a flawless Aussie accent) and her rivalry with Milla Blake (Alycia Debnam-Cary), a fellow influencer and actual cancer patient. Better than doomscrolling reels on Instagram or TikTok, and a reminder that everyone should be a lot more skeptical of anything influencers are shilling on social media.
The Night Agent
Special agent Peter Sutherland (Gabriel Basso) is back, and the stakes have never been higher. While the first season of The Night Agent wove a compelling spy drama out of the idea of a mole at the heart of America’s intelligence services, the newly arrived second season takes a more global approach—Sutherland hunts down a stolen chemical weapon project, drawing him back into the orbit of tech savant and sometime love interest Rose Larkin (Luciane Buchanan), while Iranian diplomatic aide Noor Taheri (Arienne Mandi) offers secrets to the CIA in return for asylum, and a deposed Eastern European dictator aims to manipulate everything from behind bars. Sure, the show’s mix of politics and spook work won’t surprise genre diehards, but it weaves together its many influences—and many more plot threads—into a supremely entertaining thriller.
Asura
The four Takezawa sisters are close but have little in common. Eldest Tsunako (Rie Miyazawa) is already a widow; repressed Takiko (Yû Aoi) and rebellious Sakiko (Suzu Hirose) are always at each other’s throats; and second-born Makiko (Machiko Ono) tries to balance keeping the peace with being a housewife and mother to her own two children. Yet when Takiko learns that their father Kotaro (Jun Kunimura) may have a second, secret, family, the sisters’ bonds are put to the test as they struggle to uncover the truth. Asura is far more than a turgid family drama—it’s equal parts heartwarming and hilarious, capturing the complexities of the relationships between its quartet of protagonists. Keeping the 1970s setting of Kuniko Mukōda’s original novel allows Palme d’Or– winning director Hirokazu Kore-eda (Shoplifters) to craft a gorgeously shot period piece that still feels incredibly timely and modern.
Castlevania: Nocturne
In the midst of the French Revolution, citizens rise up against a parasitic ruling class—but vampire hunter Richter Belmont and his magic-wielding allies Maria and Annette are more concerned with what’s literally bleeding the people dry. The first season of this grisly adult animated series saw the team coming together to face the rise of a “Vampire Messiah” prophesied to devour the sun, but the new second season ratchets up the action as the heroes team with Alucard, son of Dracula, to try to restore light to the world. Let’s just say the stakes (sorry) have never been higher. While Nocturne’s second season has some closer links to the previous Castlevania animated series, it still works perfectly well on its own, delivering high quality animation, brilliant action, and a fantastic cast of characters to sink your teeth into (sorry, again).
Jentry Chau vs the Underworld
You know the drill—everyday teenager learns she has superpowers and is destined to fight the forces of darkness. Except Jentry Chau (voiced by Ali Wong) is not like any other teenage girl—she’s known about the supernatural her whole life (her uncontrollable fire powers were a giveaway) and spent a lifetime avoiding it. Sent to study in Korea for her own safety, Jentry is drawn back into the mystic world after being attacked in Seoul by a jiangshi named Ed (Bowen Yang). Brought back to her home in Texas by her great-aunt, Jentry has to survive not only the formidable mogui Mr. Cheng, who intends to drain her soul and powers, but the horrors of high school, culture shock, and the pain of her own past. Taking the “high school is hell” metaphor of Buffy the Vampire Slayer, adding a dash of Gravity Falls’ mystery, and rooting it all in Asian mythology, Jentry Chau vs the Underworld is one of Netflix’s freshest animated shows in years.
Squid Game
Produced in Korea, Squid Game blends Hunger Games and Parasite with a battle-royal-style contest. Hundreds of desperate, broke people are recruited to a contest where they can win enough money to never need to worry about their debts again. All they have to do to win the ₩45.6 billion ($35.8 million) jackpot is complete six children’s games. But it’s not that simple: All the games have a twist, and very few people make it out alive. Squid Game is intense, brutal, and often very graphic, but it is also completely gripping. After the show became a cultural phenomenon in 2021, fans waited what felt like an eternity for another season. That second season finally dropped on December 26.
Queer Eye
A reformatted Fab Five return, ready to change the lives of 10 new heroes. Relocating to Las Vegas, the ninth season of Queer Eye sees Karamo, Tan, Antoni, Jonathan, and new host Jeremiah Brent—taking Bobby Berk’s seat as the design whiz—helping a retired showgirl regain her sparkle, organizing a dream wedding for new parents, and, in possibly their strangest case yet, teaching a magic dragon to shed his scaly exterior. No, really. Netflix’s most feel-good show.
No Good Deed
Take Selling Sunset and add a grisly tragicomic twist and you just about have No Good Deed. A dark comedy from Liz Feldman, creator of Dead to Me, this eight-part series starts with Lydia and Paul Morgan (Lisa Kudrow and Ray Romano) putting their gorgeous home on the market, and descends into darker territory as prospective buyers go to ever more desperate attempts to get their hands on the house, nosy neighbors interfere, and the grisly history of the house itself threatens to come to light. Buoyed by a stellar cast including Teyonah Parris, Abbi Jacobson, Luke Wilson, and Denis Leary, this is a glossy, witty, and possibly only slightly exaggerated take on the brutality of the Los Angeles property market.
A Man on the Inside
The latest show from comedy mastermind Michael Schur (The Good Place, Parks and Recreation, Brooklyn Nine-Nine), A Man on the Inside features Ted Danson as Charles Nieuwendyk, a retired engineering professor who’s lost all direction since his wife passed. But when private investigator Julie Kovalenko (Lilah Richcreek Estrada) needs a man of his demographic to go undercover in a retirement community to investigate allegations of resident abuse, Charles may find an unlikely new lease on life—if he can figure out how to use his smartphone, that is. Reflecting on end-of-life realities as much as it plays up Charles’ fish-out-of-water situation, it’s a show that’s equal parts poignant, melancholic, and achingly funny—and it’s based on a true story, to boot.
Black Doves
Helen Webb (Keira Knightley) is wife to the UK defense secretary, mother to two children, and bored with her picture-perfect life. Spectacular cover then, since she’s actually a spy for the mercenary organization Black Doves, selling state secrets to the highest bidder. But when her real love Jason (Andrew Koji) is killed, Helen is determined to find out who killed him and why—and her pursuit of the truth threatens both her public and private lives. Paired with assassin and old friend Sam (Ben Whishaw, in a very different spy role to his turn in the James Bond films) at the behest of stern operator Mrs. Reed (Sarah Lancashire), Helen’s obsession could have led to a dour, gritty thriller, but Black Doves bucks the grim-dark trend to serve up a pulpy, colorful outing with enough heart to balance its violence. At only six episodes (with a second season already confirmed), it’s a brisk watch too.
Arcane
Animated series based on video games can run the gamut from cheap cash-ins to half-decent if forgettable tie-ins, inaccessible to anyone but hardcore devotees. Yet Arcane stood out by making its connections to Riot Games’ League of Legends almost optional. While its central figures, orphaned sisters Vi and Jinx, are playable characters in the game, this steampunk saga of class war, civil uprising, and the people caught in between is entirely accessible. The second and final season, released in a trio of movie-length blocks of three episodes apiece, escalates the conflict between the warring factions but never loses its central focus on the fractured relationship between sisters. With a gorgeous painterly art style, strong characters, and frequently shocking story beats, Arcane is one of the best animated series in years—and it has racked up plenty of awards, including a Primetime Emmy for Outstanding Animated Program, to prove it.
Cobra Kai
Picking up decades after Daniel LaRusso and Johnny Lawrence’s iconic fight at the end of the first Karate Kid movie, Cobra Kai initially follows a washed-up Johnny as he reopens the Cobra Kai karate dojo, finding new purpose after defending his young neighbor Miguel (Xolo Maridueña, Blue Beetle) in a fight. Over the course of six seasons, the stakes get higher—and frankly, increasingly, gloriously, ludicrous—as rival martial arts schools start cropping up all over California. Alliances are forged and broken with alarming regularity, and everything gears toward a global battle for karate supremacy. It’s all a little bit tongue-in-cheek, and with Ralph Macchio and William Zabka reprising their 1980s roles, the show is an unabashed love letter to the classic action flicks, but thanks to some seriously impressive fights and stunt work, it’s a retro-styled delight.
Heartstopper
One of the most joyful shows on Netflix returns for another school year of teen drama and heartfelt queer romance. In the long-awaited third season, things heat up between the central couple, with Charlie (Joe Locke) preparing to say three little words to Nick (Kit Connor) for the first time, while Elle (Yasmin Finney) and Tao (William Gao) try to have the perfect romantic summer before Elle starts art college. Heartstopper‘s return also sheds some of its earlier cloying tendencies, growing up alongside its talented young cast and giving them more serious material to work with, tackling more mature themes of sex, eating disorders, and gender dysphoria—all without losing the warmth and charm that made audiences fall in love with the show in the first place. The show younger LGBTQ+ viewers need now, older ones needed years ago, and one that everyone needs to watch, whatever their sexuality.
The Boyfriend
“Anyone can fall in love with anyone” is the opening narration to The Boyfriend, Japan’s first same-sex dating show—a bold and progressive statement that reflects the shifting tide of opinion in the country. Throwing nine single men together in an idyllic beach house for a summer and charging them with running a coffee truck, the over-arching concept is to see who’ll pair up, but the series is as interested in exploring the friendships that emerge between the cast as it is the romantic relationships. Unlike Western dating shows, there are no scandals, no dramatic twists, no betrayals, and the “challenges” are adorably focused on confessing feelings. The gentleness of it all adds an almost relaxing quality, with the men discussing their emotions—and the nature of being queer in Japan—earnestly. An absolutely joyful example of reality TV.
Kleo
If you’re pining for more Killing Eve, then this German thriller may be the next best thing. Set in the late 1980s and early 1990s, the series follows the eponymous Kleo (Jella Haase), a Stasi assassin imprisoned by her agency on false treason charges. Released after the fall of the Berlin Wall, she seeks revenge on her former handlers—but West German detective Sven (Dimitrij Schaad), the only witness to her last kill, may have something to say about that. As dark and violent as you’d expect given the period and the themes of betrayal and vengeance, Kleo is lightened by its oft-deranged sense of humor and a charismatic lead duo who brilliantly bounce off one another—chemistry that’s only heightened in the second season as Kleo’s pursuit of her old allies intensifies, attracting attention from international spy agencies in the aftermath of the Cold War.
Sweet Home
Based on the Korean webcomic by Kim Carnby and Hwang Young-chan, Sweet Home offers a very different vision of apocalyptic end times—rather than pandemics, disasters, or even zombies, this posits an end of the world brought about by people’s transformation into grotesque monsters, each unique and seemingly based on their deepest desires when they were human. The first season is a masterclass in claustrophobic horror, as the residents of an isolated, run-down apartment building—chiefly suicidal teen Cha Hyun-su (Song Kang), former firefighter Seo Yi-kyung (Lee Si-young), and Pyeon Sang-wook (Lee Jin-wook), who may be a brutal gangster—battle for survival. The second and third seasons explore what remains of the wider world, delving into the true nature of both monster and man—and if there’s any hope for what remains of humanity. With phenomenal effects work blending prosthetics, CGI, and even stop-motion animation for some disturbingly juddering creatures, this stands apart from the horror crowd.
Star Trek Prodigy
Paramount+’s loss remains Netflix’s gain, as the streamer’s license rescue of this great Star Trek spin-off warps into its second season. After escaping a distant prison planet and becoming Starfleet cadets under the watchful eye of Star Trek Voyager’s Admiral Janeway (voiced by the venerable Kate Mulgrew), the ragtag crew—led by aspiring captain Dal R’El and bolstered by astrolinguist Gwyndala, engineer Jankom Pog, energy being Zero, scientist Rok-Tahk, and indestructible, gelatinous Murf—find themselves cast through time on the most dangerous mission of their young lives. While aimed at younger audiences and intended as an intro to the wider Trek universe and its ethics, Prodigy packs in plenty for older Trekkers to appreciate, particularly with a slate of returning Star Trek legends voiced by their original actors. Prodigy is something of a sleeper hit, but one of the best Trek shows in years.
Supacell
One by one, five Black Londoners awaken to strange superpowers. Struggling father Andre (Eric Kofi-Abrefa) develops superstrength, nurse Sabrina (Nadine Mills) unleashes phenomenal telekinetic might, drug dealer Rodney (Calvin Demba) races at superspeed, and wannabe gang leader Tazer (Josh Tedeku) turns invisible. But it’s Michael (Tosin Cole, Doctor Who) who may be the most pivotal, realizing he can leap through time and space and learning he only has three months to save his fiancée’s life. Created by Andrew “Rapman” Onwubolu, Supacell is a show about superpowers, but not necessarily superheroes, with its fantastic cast offering up a far more realistic and human exploration of now-familiar ideas than anything you’ll find in the Marvel Cinematic Universe. And the mystery of why—and how—only Black people seem to be gaining powers builds up to a more powerful punch than an Asgardian god of thunder. A smart, modern, and refreshing take on the genre.
The Good Place
After suffering an improbable and humiliating death, Eleanor (Kristen Bell) finds herself in “The Good Place,” a perfect neighborhood inhabited by the world’s worthiest people. The only problem? She’s not meant to be there. Desperate to not be sent to “The Bad Place,” she tries to correct her behavior in the afterlife, with the help of her assigned soulmate, philosophy professor Chidi (William Jackson Harper). A twist at the end of the first season remains one of the best ever, while the show’s ability to sprinkle ethical and philosophical precepts into a sitcom format is frankly astounding. With a sensational cast rounded out by Manny Jacinto, Jameela Jamil, D’Arcy Carden, and Ted Danson, The Good Place more than earns its place in the good place of TV history.
Bridgerton
Still ranking as one of Netflix’s most-watched series ever, Bridgerton is set during the Regency period in England and follows the powerful Bridgerton family as they navigate love, marriage, and scandal—with most of the latter stirred up by the gossip columns penned by the anonymous Lady Whistledown. Created for screen by Chris Van Dusen and executive produced by Shonda Rhimes, this incredibly bingeable and shockingly entertaining show is based on a series of novels by Julia Quinn, with each season focusing on a different branch of the Bridgerton tree. The third and latest season sees the spotlight fall on the long-simmering relationship between wallflower Penelope Featherington (Nicola Coughlan) and Colin Bridgerton (Luke Newton), a pairing that threatens to reveal powerful secrets that have been bubbling away since the very first episode.
3 Body Problem
In 1960s China, at the height of the Cultural Revolution, gifted scholar Wenjie Ye witnesses her physicist father being beaten to death for his research, only for her to be recruited to a secret project relying on that same knowledge. Fast-forward to the present day, and physics is broken: Particle accelerators around the world are delivering impossible data, while scientists are being plagued by countdowns only they can see. Meanwhile, strange VR headsets appear to be transporting players to an entirely different world—and humanity’s continued existence may rely on there being no “game over.” Game of Thrones’ creators D. B. Weiss and David Benioff and True Blood executive producer Alexander Woo reimagine Chinese author Cixin Liu’s acclaimed hard sci-fi trilogy of first contact and looming interplanetary conflict as a more global affair. Wildly ambitious, and boasting an international cast featuring the likes of Benedict Wong, Rosalind Chao, Eiza González, and GOT alum John Bradley, Netflix’s 3 Body Problem serves up the opening salvo in a richly detailed and staggeringly complex saga.
Ripley
Perhaps best known nowadays from 1999’s The Talented Mr. Ripley starring Matt Damon, novelist Patricia Highsmith’s inveterate criminal Tom Ripley has a longer, darker legacy in print and on the screen. For this limited series, creator Steven Zaillian goes back to Highsmith’s original text, presenting Ridley (a never-more-sinister Andrew Scott of All of Us Strangers) as a down-on-his-luck con man in 1950s New York who is recruited by a wealthy shipbuilder to travel to Italy and persuade the businessman’s spoiled son Dickie Greenleaf (Johnny Flynn) to return home. But once in Italy, Ripley finds himself enamored with Dickie’s lavish lifestyle—and will do anything to take it for himself. Shot in black and white to really sell its noir credentials, this is an instant contender for the finest interpretation of Highsmith’s works to date.
Avatar: The Last Airbender
A talented young cast bring to life the tale of Aang (Gordon Cormier), the latest in a long line of avatars who can control all four cardinal elements, but is frozen in time for a century when his world needed him most. Awakened by new friends Katara (Kiawentiio) and Sokka (Ian Ousley), he sets about continuing his training as the Avatar in an attempt to restore balance, all the while pursued by the relentless Prince Zuko (Dallas Liu), heir to the imperialist Fire Nation that has conquered the world. Consider this a cautious recommendation—the original animated version, also on Netflix, remains superior—but Netflix’s live action Avatar remake serves up scale and spectacle, without betraying the heart of the classic show. It’s also already confirmed for two more seasons, so viewers can look forward to the complete saga without the now-familiar Netflix cancellation worries.
The Legend of Korra
If you’re still not sold on the live-action Avatar, this sequel to the original series is well worth your time. Set 70 years after the animated Avatar: The Last Airbender, The Legend of Korra explores how Aang’s world has progressed after decades of relative peace. When Korra, the new Avatar, moves to Republic City to complete her training under the tutelage of Tenzin—Aang’s son, now with a family of his own—she finds herself and new friends Mako and Bolin caught in the growing tensions between element benders and the Equalist movement, who claim the unpowered are an oppressed class. As the series progresses over its four seasons, The Legend of Korra proves itself a very different beast than its predecessor, exploring political themes and social prejudices in deeper—and often darker—detail, while also expanding the more fantastic elements of the universe and revealing the origins of the first Avatar. Even more brilliantly animated, and with a unique 1920s inspired aesthetic, Korra is a show that grew up alongside its audience, and is all the stronger for it.
Beef
Ever been cut off in traffic? Ever had it happen when you’re having a really bad day? Ever just wanted to take the low road, chase the person down and make them pay?! Then—after a few deep breaths—Beef is the show for you. It’s a pressure valve for every petty grievance you’ve ever suffered, following rich Amy (Ali Wong) and struggling Danny (Steven Yeun) as they escalate a road rage encounter into a vengeance-fueled quest to destroy the other. Yet Beef is more than a city-wide revenge thriller—it’s a biting look at how crushing modern life can be, particularly in its LA setting, where extravagant wealth brushes up against inescapable poverty and seemingly no one is truly happy. Part dramedy, part therapy, Beef is a bad example of conflict resolution but a cathartic binge watch that clearly resonates—as evidenced by its growing clutch of awards, including the Golden Globe for Best Limited Series.
Loudermilk
Something of a sleeper hit for years—its first two seasons debuted on AT&T’s now-defunct pay TV channel Audience in 2017, before its third season appeared over on Amazon—all three seasons of this bleak comedy are now available on Netflix. Ron Livingston stars as Sam Loudermilk, a vitriolic former music critic and recovering alcoholic who proves almost pathologically incapable of holding his tongue when faced with life’s small frustrations—a personality type possibly ill-suited to leading others through addiction support groups. It’s dark in places, and its central character is deliberately unlikeable, but smart writing and smarter performances shape this into something of an acerbic anti-Frasier.
Scott Pilgrim Takes Off
Adapted from the beloved graphic novel series by Bryan Lee O’Malley, animated by one of the most exciting and dynamic studios in Japan, and voiced by the entire returning cast of director Edgar Wright’s 2010 live-action adaption, Scott Pilgrim Takes Off would have been cult gold even if it was a straight retelling of its eponymous slacker’s battles against lover Ramona Flowers’ seven evil exes. Yet somehow, in a world devoid of surprises, this packs in killer twists from the very first episode, making for a show that’s as fresh and exciting as ever. Saying anything else would ruin it—just watch.
Blue Eye Samurai
In the 17th Century, Japan enforced its “sakoku” isolationist foreign policy, effectively closing itself off from the world. Foreigners were few and far between—so when Mizu (voiced by Maya Erskine) is born with blue eyes, nine months after her mother was assaulted by one of the four white men in the country, it marks her as an outsider, regarded as less than human. Years later, after being trained by a blind sword master and now masquerading as a man, Mizu hunts down those four men, knowing that killing them all is the only way to guarantee her vengeance. Exquisitely animated—which makes its unabashed violence all the more graphic—and with a phenomenal voice cast bolstered by the likes of George Takei, Brenda Song, Cary-Hiroyuki Tagawa, and Kenneth Branagh, Blue Eye Samurai is one of the best adults-only animated series on Netflix.
Pending Train
Netflix: License one of Japan’s best SF dramas in years. Also Netflix: Do nothing, literally nothing, to promote it, not even create an English subbed trailer. Which is where WIRED comes in—Pending Train is a show you (and Netflix) shouldn’t sleep on. When a train carriage is mysteriously transported into a post-apocalyptic future, the disparate passengers’ first concern is simply survival. Between exploring their new surroundings and clashing with people from another stranded train car over scarce resources, one group—including hairdresser Naoya, firefighter Yuto, and teacher Sae—begins to realize that there may be a reason they’ve been catapulted through time: a chance to go back and avert the disaster that ruined the world. A tense, 10-episode journey, Pending Train offers a Japanese twist on Lost, but one with tighter pacing and showrunners who actually have a clue where they want the story to go.
One Piece
Mark one up for persistence: After numerous anime adaptations ranging from “awful” to “not too bad,” Netflix finally strikes gold with its live-action take on the global phenomenon One Piece. Despite fans’ fears, this spectacularly captures the charm, optimism, and glorious weirdness of Eiichiro Oda’s beloved manga, manifesting a fantasy world where people brandish outlandish powers and hunt for a legendary treasure in an Age of Piracy almost verbatim from the page. The perfectly cast Iñaki Godoy stars as Monkey D. Luffy, would-be King of the Pirates, bringing an almost elastic innate physicality to the role that brilliantly matches the characters rubber-based stretching powers, while the crew Luffy gathers over this first season—including swordsmaster Roronoa Zoro (Mackenyu), navigator and skilled thief Nami (Emily Rudd), sharpshooter Usopp (Jacob Romero Gibson), and martial artist chef Sanji (Taz Skylar)—all brilliantly embody their characters. A lot could have gone wrong bringing One Piece to life, but this is a voyage well worth taking.
The Chosen One
Based on the comic American Jesus by writer Mark Millar (Kick-Ass, Kingsman) and artist Peter Gross (Lucifer), The Chosen One follows 12-year-old Jodie (Bobby Luhnow), raised in Mexico by his mother Sarah (Dianna Agron). While the young boy would rather hang out with his friends, his life—and potentially the world—changes forever when he starts exhibiting miraculous powers, attracting dangerous attention from sinister forces. While this could have been yet another formulaic entry in Netflix’s expansive library of supernatural teen dramas (the Stranger Things vibe is particularly strong), the decision to shoot on film and in a 4:3 aspect ratio make this a visual delight, unlike almost anything else on the streamer at present. There’s an English dub, but stick to the original Spanish with English subs for a better viewing experience. (Confusingly, there’s another show with the exact same title on Netflix, a 2019 Brazilian series following a trio of relief doctors in a village dominated by a cult leader—also worth a watch, but don’t get them confused!)
Alice in Borderland
When slacker Ryohei Arisu (Kento Yamazaki) is mysteriously transported to a deserted Tokyo, his keen gaming skills give him an edge navigating a series of lethal games that test intellect as much as physical prowess. Yet after barely scraping through several rounds, Arisu is no closer to uncovering the secrets of this strange borderland, or to finding a way home—and the stakes are about to get even higher. Not only are Arisu and his allies Usagi (Tao Tsuchiya), Kuina (Aya Asahina), and Chishiya (Nijiro Murakami) faced with another gauntlet of sadistic games, but they find themselves caught between rival card suit “courts” vying for power—and not everyone can be trusted.
With its willingness to kill off main characters at a moment’s notice, the first season of this gripping adaptation of Haro Aso’s manga kept viewers on tenterhooks throughout. As the long-awaited second season leans further into its twisted Alice in Wonderland imagery, expect more shocking developments in this taut thriller.
Mexico drew 0-0 with Costa Rica on Sunday night at Allegiant Stadium in Las Vegas to win Group A of the CONCACAF Gold Cup and will play Saudi Arabia in the quarterfinals.
Mexico’s Santiago Gimenez appeared to score on a bicycle kick in the fourth minute of second-half stoppage time, but the goal was disallowed by Guatemalan referee Mario Escobar following a video review. Giménez appeared to be offside when Carlos Rodríguez lofted the ball into the penalty area following a free kick. Orlando Galo‘s headed clearance attempt went in front of the goal to Giménez.
Mexico, unbeaten in 10 Gold Cup matches against Costa Rica, finished even with the Ticos at seven points, but won the group on goal difference.
El Tri, which defeated the Dominican Republic and Suriname in their first two matches, will play Saudi Arabia next weekend while the Costa Ricans will face the United States.
Costa Rica will be missing four regular starters. Forward Manfred Ugalde, who has three goals in the tournament, and midfielder Carlos Mora are suspended for yellow-card accumulation. Defender Ariel Lassiter has a fractured left hand and forward Warren Madrigal a broken left leg.
Russia’s Committed War Crimes In Ukraine: A 14-year-old boy killed in a summary execution.
Girls as young as 4 and women as old as 82 subjected to sexual violence.
A priest brutally beaten, then stripped naked and forced to parade naked through the streets of his village for an hour.
These were among the nightmarish findings of a new UN-backed report released Thursday that found Russia has committed war crimes and likely crimes against humanity during its yearlong invasion of Ukraine.
The three international experts appointed to serve as investigators with the Human Rights Council’s Independent International Commission of Inquiry on Ukraine concluded that Russia was guilty of grave violations of international humanitarian and human rights laws.
These included indiscriminate bombings of areas with civilian populations and targeted attacks against Ukraine’s energy infrastructure, as well as torture, unlawful confinement, summary executions, and rape.
“The Commission is concerned with the number, the geographic spread, and the gravity of human rights violations and corresponding international crimes which it has documented during its mandate,” the investigators wrote in their report. “These have affected men, women, boys and girls of all backgrounds and ages.”
The report is likely to have little practical effect on Russia, but it will increase pressure for the country to be held accountable by the International Criminal Court.
At the very least, the report also functions as a historical record of the abuses committed by Russia, which did not cooperate with the investigation.
As one man whose father was executed by members of the Russian military in a village in the Kharkiv region told the investigators, “They punished innocent people; now those who are guilty, if they are still alive, need to be punished to the fullest extent.” Please, Vistit our Homepageand Facebook Page for latest News Update.
